The Herbie Hancock Collection (Artist Transcriptions. Piano) [Herbie Hancock] on *FREE* shipping on qualifying offers. (Artist Transcriptions). This one is from Herbie’s classic Maiden Voyage album. The piece is constructed of rubato head and jazz waltz solo section. The Eb-7/F (F. This isn’t the flashiest Herbie I’ve heard (compared to his solo on “No More Blues” Labels: #ttmusic Blue Note Herbie Hancock Transcriptions.

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Check out this track from I can tell you, that playing with them, backs this belief of mine up. God bless you and hope to see more soon. In the ’80s article, he seemed to be talking about a particular Rhodes he’d had for a while, and didn’t dispute the interviewer’s assertion that it was a prototype.

Herbie doesn’t have to put any thought into II-V-Is, that’s for sure! Don’t have much to add regarding transcriptions, and I can appreciate the hard work that goes into them, but I doubt that Herbie ever played the same song the same way twice. Amazing musician and person.

I am missing the other elements of the bigger picture as you said – but am I a better player for studying Herbie’s music in such detail? Yes that’s a great version with Herbie on Rhodes – those early silvertop Fender Rhodeses had such a different tone in comparison to the mid 70’s. Hi Chris – many thanks for the reply – I would have given out my Actual Proof solo transcription but at the moment I’m in the process of investigating publishing and copyright for Herbie’s 70’s songs because I plan to release the transcriptions properly if it proves to be viable.


It is interesting to observe the relationship between instrument maker and the development of music. This would mean he had the same piano for sextant crossings mwandisihi and headhunters and thrust, then for manchild, sunlight, and secrets, then another new one for feets dont fail, monster, etc Vince is perhaps the best ensemble drummer I’ve ever seen. It’s always great to meet other Herbie aficionados!

That’s what I’ve strived to get out of my studio suitcase.

Appreciate this endeavor of yours. Herbie Hancock exact, note-for-note transcriptions on Rhodes [ Re: Learning someone else’s solo note for note defeats the whole idea of jazz, which should be a spontaneous dialogue between the players. I won’t be stopping any time soon. Hi Tom I don’t know if I’ve done this quoting thing herbke.

I still listen to this album a few times a month, especially good for road Rhodes trips. There might have been a Rhodes in the back but he didn’t play it.

You are not logged in. I’ve got a very busy period coming up but I’ll try my hardest to keep the videos flowing.

One Finger Snap – Herbie Hancock Solo Transcription | CKendrickMusic

Nice of you to share your stuff here with all of of us. And listening to Master’s play, speaks to me Totally agree about studying and training hard. I think studying classical and then applying the interval training really helps.


These broke very often and I needed a lot of replacement tines within the 1st 2 years of ownership. They played much of his earlier fusion stuff, ie Chameleon, Watermelon Man, but that mostly consisted of quoting the head then going off into wonderful solos and ensemble playing loosely hncock on the melody.


Would kill for your transcription of ‘Actual Proof’ solo, I’m playing this tune for my college fusion ensemble this semester in about 10 weeks and that would be so helpful.!!

I’ve got a second suitcase I use for gigs but it’s a very different sound despite being an identical model – the only difference I can see that’s causing the difference is the hammer tips square vs non-square.

When you say a stock Rhodes, I don’t know. The rhythm is critical I find it a little hard to believe that he literally used the same Rhodes for a long stretch, since Zawinul, who has the most similar recording and touring history, said “I also had plenty of Rhodes electric pianos.